The first thing buried in a graveyard, so the story goes, has the duty to stand watch over it for eternity and keep the bad things out. It became tradition to bury a black dog before any man or woman was laid to rest, to make sure that no human would be locked out of heaven (or, for that matter, hell) forever.
They never asked the dogs what they felt about that sort of thing, but then, they were good dogs, and were doing their duty. And would do so for eternity. The black dogs who stood watch were dubbed Grims, though as time passed, no one ever thought they’d be needed. Still, the tradition went on.
When the dead began to rise to attack the living, the Grims were standing watch. Not one walking corpse made it out of a graveyard with a Grim standing guard over it, for dogs know the secrets of burying bones so that they stay buried.
Without the reinforcements of all the dead ever buried, the others who rose that day did not overwhelm the living. And when those living went to find out why, they found the Grims, still standing watch. The survivors told them that they were good dogs, who had done their duty. And the Grims were satisfied, and taught the living the trick of making sure bones stayed buried, so no dead would walk again.
That’s how the story goes, anyway.
Tag: writing
That feeling when you write about 7,000 words before you research something and then. Oops.
What do you mean you’re not an author… you write, edit, take critique… just because you aren’t a PUBLISHED author doesn’t mean your writing advice is any less valuable. You still have all the required experience. You’re still an author of stories, so I would say that makes you an author. Do you still remember the first story you wrote?
Thank you for the support! Let’s say “not an author tested by public opinion” then. I’m not trying to talk down on myself, I promise. I just think it’s cute that people think to ask me things even without having read anything I wrote. 🙂
And yes! I was writing stories even back in kindergarten (I couldn’t even write, I had to dictate them to the third graders) but the first story I wrote after deciding to be a Writer was about a girl looking for gold during the gold rush with the help of her talking dogs. I was eight.
It’s funny though, sometimes I consider actually going back to it and finding a way to make it work for the sorts of stories I write now!
Ok Retta doesn’t show up again until the others are already fighting so I’m going to take this opportunity to have her get the fuck out of dodge. Maybe Bozier tries to come on to her or something I don’t fucking know.
This is literally the hardest part so far of this story because What?
But I also don’t want to take it out because she doesn’t have very many scenes to begin with so there’s not a lot of ‘closure’ on her story and what she’s doing. Aaaaaaaaaaaa

I must have been in a hurry to get to the next scene because this is the only thing in this chapter lol.
Too bad I’ve actually been cutting out a lot of Retta’s scenes so this one will probably go too.
Why why why did I do this to myself? What kind of scene was this supposed to be? I’m just starting at this stupid chapter trying to figure out where I was going with this.
The last chapter about her (which I took out of this draft anyway) didn’t end very well so was this supposed to be her getting captured or something? A duel? And escape? When does Retta show up again? Not til the final battle I think. WHAT THE FUCK BRAIN. WHAT IS THIS.
You write so much so quickly… when I write, my concern about how others (my perceived “readers” even though I don’t actually have any) will view and judge my writing always hinders most progress in actually getting words down on the page. There is always fear that editing afterwards still won’t make it good enough. Do you or did you have this problem? Do you have any tips to get past it? Sorry for the random message, and thanks!
Hello Anon! Thanks for stopping by and bear with me: I get flustered when people ask for my advice! Still, I’ll do my best to help.
So, as to your question, the answer is not exactly. My biggest fear with writing is actually that I’ll react badly to a review and make a fool of myself. However, both of these fears do have to do with showing your work to others! So before I go on to talk about rejection, let me share two of my personal favorite rejection anecdotes.
Sometime in the wilds of 2011, baby Lano had just agonized through her first edit. I was super proud of myself and put two chapters of a book on a review site. The first review I got was bad. And I mean, agonizingly, horrifyingly nasty. The kind of review that people dread. The kind that tell you to “stop writing” and that “the only character I like was the cat because he’s the only one that didn’t say anything idiotic”. And there was over a thousand words of that. Needless to say I cried for two days and I almost did give up writing before I realized that A) this guy was an asshole who got his jollies by trashing young authors and B) I would probably die if I stopped writing.
So I got over that. Then about two years ago I wrote a short story for a writing class that I was really proud of. I thought it was simple and clever and a nice homage to fairy tales. So that should be universal. I mean everyone has seen a Disney movie at least, right? Wrong. The only person who got it was the teacher, who then had to spend 45 minutes defending my story from my classmates while I couldn’t talk. And just to rub salt in the wound, one dude even thought the story was about a girl thinking she wasn’t as good as the men (so, so, sooooo wrong).
The point is, you’re gonna get bad reviews. You’re also going to get reviews from people who seemed to be reading another story entirely. You will definitely get reviews from people who think they can swoop in and ‘fix’ things. There is nothing you can do to avoid this except not writing, and let me tell you, that is an absolute waste of talent. No one can tell the stories you want to tell in the way you tell them and it’s cruel to deny us that.
Now, as for how to get past it:
For the most part I concentrate on pleasing myself. I know I have weaknesses, oh do I ever, but I love my work. I get teary at death scenes and blush when I’m writing romance. I laugh at all my own jokes. And I do my best to tell a story that I would want to read, as a reader. Cause there are people out there who read what I read, so they’ll probably like what I write. And I like to think that as long as I have fun, and do my best, that readers are going to pick up on that.
I also like to write as fast as possible so I don’t have time to think about it. I always think my subconscious mind is smarter than my conscious one. That’s why I can write a first draft in a week. I kind of have to get into that ‘zen’ state to do anything.
That’s why writing is the easy part for me. Editing is the hard part because it’s slow and boring. So in order to speed myself up I used Almond Joys, because I love those things. I made a deal with myself, set in writing and passed off to witnesses who kept track of my progress. Each time I finished a thousand words of editing I’d get to eat my almond joy, which I left sitting right at eye level to taunt myself. And every time I finished a page, I got a dollar put into a fund to spend at Half Price Books when I was over. That was enough incentive to get over any issues with editing because I’m super easy to bribe.
The important part of training yourself out of a fear like that is just to embrace that it’s going to happen. You will get a bad review. It’s going to suck. It’ll probably happen a lot and that sucks too. At some point I will probably get a bad review and burst into tears in public and make a fool of myself. It happens. But it’s not the end of the world. Because for every person who doesn’t like your writing there are probably ten people who do. You just have to find them. And trust me, one good review can wash away a hundred bad ones.
On the physical side, the important part of training yourself is to find rewards you really want, find a schedule that makes sense, and then don’t allow yourself to have those things outside of writing, ever. If you can keep it up for a month or more I promise you will get faster and shutting off that little voice will get easier. I mean I still like editing less than writing but now it’s at least kind of fun. Also if you don’t participate in National Novel Writing Month or other writing challenges, you really should because it forces you to just write. That helped me a lot in the beginning because I’m also very competitive and so racing the clock was the best way to get me to turn off my inner editor and just do.
As a general rule, with the exception of The Review (as I call it) I don’t remember my bad reviews? It’s a general sense of “not my thing” with a handful of “pointing out stuff I already know I’m weak at”. But I remember in perfect clarity every good review I’ve ever gotten. So, you know, there’s that.
I hope some of this helps? Really just concentrate on telling the story. Please your inner reader first. There will always be time for edits, later, but don’t get so caught up in edits that you never show it to people. When you’re looking for readers to review your work, find people who like the genre you’re writing. Listen to people when they tell you something’s wrong, but don’t listen to their suggestions of how to fix it. Most importantly of all, trust yourself and your stories/characters/intuition. If you don’t, no one else will either.
Also, probably don’t turn in a fairy tale to a review group of people who only write literary fiction.
Don’t tell the others but Kradhi is my favorite main character and Gheist is my favorite secondary character.
If you round it down to top three you probably end up with Kradhi, Seneria and Tanwen as the best MCs and Gheist, Retta and Saoirse as my favorite supporting characters.
Which is great because Kradhi and Saoirse share a lot of similarities (small feisty redheads that want to fight everything and also want to bang their exact opposite), Seneria and Retta share some too (rash, adventurous and manipulative princesses who get carried away with their ‘heroics’) and Tanwen and Gheist are also similar (traumatized losers who feel much more comfortable letting others make decisions than acting on their own) so you have a nice little thing going here.
A Note on Magical Word Structure
While scanning through a lot of magic posts on tumblr, I’ve seen a lot of tags misusing suffixes. In particular “-mancy” gets used as a general term for magic works, I guess because it just sounds mystical in nature. As someone deeply in love with facts and the English language, such misappropriations van be a little off putting. With one simple search, it would be immediately and obviously revealed that -mancy specifically refers to forms of divination; i.e. cartomancy, the use of cards in divination.
The obvious exception is of course, ‘necromancy’. The term actual literally means ‘conferring with the dead as a mean to divine answers’, but modern media has bastardized the word into encompassing a strange hodgepodge of dark arts involving corspes. This is wholey inaccurate, and probably is the single reason for that abuse of -mancy. However, the fact that we study eclectic wisdom not typically included in modern academia, is no excuse to abandon higher study practices and formal education. And so, I present a brief list of suffixes and how they can and are applied to magic.
-Mancy: A form of divination.(CRYSTALLOMANCY: Divination by crystal gazing.)
-Graphy: Writing or feild of study.(TASSEOGRAPHY: Study of tea leaves)
-Tion: Action of.(INCANTATION: Act of chanting.)
-Ology: Study of.(NUMEROLOGY: Study of numbers.)
-Ism: Practice or system of.(MYSTICISM: Practising mystic arts.)
-Ry: Occupation of.(PALMISTRY: Work of reading palms.)
-Ic: Having characteristics of.-Scopy/Scope: Examination of.
(HOROSCOPE: Examination of a time.)
-Sis: Action, state, condition, or process of.
(TELEKINESIS: Process of long distance psychic interaction.)
-Magy: A form of magic.
The suffix -Magy would be a much more logical end to a custom word describing a practice of magic, and far better than the overused -mancy. For instance, magic with technology would become ‘technomagy’. Magic involving thoughtforns would become ‘tulpamagy’. It’s a slight change in spelling and pronunciation, but a huge shift in meaning.
I hope this will clear up some confusion on not only naming of magic practises, but also understanding the meaning of names of existing practices. As always, I’ll update this post as I find more useful ideas, and I’ll probably also make an extensive list of magic related studies and words for reference purposes.
This post on my dash, right now, is like a sign from the gods that I picked the right book to write for Nano.
There’s more to the story obviously. When I was young I was super energetic and couldn’t sit still and didn’t really want to be inside when I could be basking up sun light. So how to write when I couldn’t sit down or keep pen to paper?
I paced. Excessively. We had a corner lot so I had a lot of sidewalk and every day in the afternoon and most days in the summer I would take to the sidewalk with a clipboard in one hand and a bouncy ball in the other and I would pace the sidewalk, bouncing my ball, telling my stories to myself and stopping when I needed to write things down.
That’s why, even to this day, I have a very emotional connection to my clipboards (I’ve been through a few since I kept dropping them on the sidewalk and breaking them but not as many as you would assume) and also I still have a tendency to pace and to make up stories while I’m in motion. I might do my writing sitting down now but I still do my planning when I’m moving!
Cyan! Ah, she’s good. Hopefully it fits with the others cause she has a pretty different perspective on her parents being so much older and more aware.
“Gavin said you’d be dropping in on me.” Cyan said. Everett
sat at the bar, Cyan stood behind it, closing for the night. It was said, of
course, that Cyan never allowed anyone else to close her bar because the bar
was never actually closed. After hours it simply served a different sort of
clientele. For now, though, they were alone.
It was
a classy place – dark wood, red carpet, gold accents, black marble bar, plenty
of art on the walls. On one end was a stage where there was either live music
or plays every night. Cyan herself sang as often as not. The windows were
stained glass and lent the place a bit of color and uniqueness. It had been
converted from an old-style home. Cyan lived upstairs, despite having the means
to possess a home in the most fashionable part of the city.
“It
would be unthinkable to leave you out of any book on your family. The city
would revolt. Again.” He said.
“True.
My fans would be so disappointed in you.” She replied. Everett felt like he
already knew Cyan. Everyone knew her. She was the loudest and flashiest of her
siblings, an actress, a socialite, a criminal entrepreneur. But he never would
have thought it so easy to get into to see her as just walking into a bar. Of
course he knew. But he didn’t believe.
“You’re
the second oldest of the Silverwood children, correct? So you, I hope, won’t
give me any excuses about being too young to understand what was going on.” He
said. To his surprise, she laughed.
“Knew
what was going on? Darling, I helped plan some of mom’s stunts. Not many, but a
few.”
“So why
was she so against her father when none of the Drezhein were?” He asked.
Finally, someone would give him something! He should have seen Cyan from the beginning.
“Look,
mom could lie with the best of them. She reveled in it. And she knew bullshit
when she saw it too. Seilez tried to use her, the way he tried to use all of
his kids and she’d had just about enough of that. That’s how it started. Not
out of some desire to save the Drezhein. No Drezhein would give two figs for
any others outside their own kids. They’re just not like that.”
“So it
was to protect her family. Kaite thought-”
“That’s
rubbish. Ithea didn’t want to protect anyone. Maybe if a burglar broke in or
something, but not government stuff. I mean we didn’t even live in Sanirra so
it didn’t affect us. Ithea acted out because she hated the Drezhein.” Cyan
said.
“Uh…you’re
going to have to explain that one to me.”
“Pure
and simple, Drezhein are monsters. The things that go bump in the night and eat
your children. They fight and they lie and they steal and they kill one another
and anyone else that irritates them. They’re emotional and impulsive and
territorial – like Ithea. Seilez hated that. He was trying to change them, to
make them into something else. Civilized and polite. He did as much as he could
and when he didn’t get the result he wanted, he started trying to eradicate
them entirely. Most Drezhein bought into his bull, though. He was charming and
persuasive and saintly and they were fanatical about him. Seilez is the only
First Lord who ever held the position through anything other than strength and
trickery and deceit. He was First Lord because the other Drezhein liked him. And that disgusted her.”
“I
guess I knew Seilez was throwing his own people to the wind but I never knew
why.”
“Because
he loved humans, I’ve heard. He never had a mate of his own species, ever. He
idolized the civilized and tried to trade in fangs and claws for a society. But
mom was left to grow up in Cylli, with human parents who thought she was a
demon. She was never around Seilez and his so called ‘civilizing’ influence so
she grew up the way a Drezhein should – violent and over-confident,
hot-tempered and pushy. Taking what she wanted by force and destroying what she
didn’t. She was an older breed of Drezhein and didn’t fit in with the others in
Tsime. She didn’t care much for her people but she had a lot of regard for
herself and she wanted to remind them of what they should be.”
“And
you think that Ithea was a monster.” Everett said. He hadn’t heard that before,
from any of the kids!
“Don’t
get me wrong, I loved her. I looked up to her, and still do. But if you had
ever seen her shape-shift so that she could go run down deer and wild boar in
the forest, you would know. I saw her, with matted fur and bloody fangs, with
blood and dirt under her claws. Mom said that Drezhein had to shape-shift often
to remember what they were, and Seilez tried to discourage it as much as
possible. But Keir, and Dumas and Kaite and Ro…she taught them it was very
important. They all hunt like that, regularly. They have to. It’s a pity she
died before any of them could shape-shift. I know she was looking forward to
teaching them.”
“What
was her other form like?”
“Wolf-like,
mostly. Big, and black, long snout, blunt claws, lots of teeth. Pointed ears. No tail though. And on the lithe side.
She was fast. It never bothered me, even seeing her like that. She and that
monster were one in the same. You could see it in her even in her human form.
The way she moved, the way she acted. What she thought was important. It’s the
key to understanding Drezhein. You have to realize that they’re more connected
to their beasts than Daemir or Draconians are. It bubbles near to the surface.
It’s why they hoard mates and children and possession and land. Why their
temper rises so easily and they fight so viciously. Why their alliances and
feuds are so short and ever changing.”
“You’re
the only one who’s mentioned anything about that. And the only one who’s called
her mom, instead of Ithea.”
“Oh, we
all called her mom back in the day. Or mama. She liked that better. It feels
wrong to call her anything else now, even though I’m older than she ever was.
Perhaps my siblings feel differently. As for the other, I was the oldest girl.
Mom loved all of us but everyone knew that Charlie and I were her babies. Who
else did she have to mentor? Kaite was always a tomboy – which mom accepted
completely, don’t get me wrong – and Ro was too young. But me? She had years
with me. She taught me how to dress and do make-up and how to dance, and how to
flirt. How to present myself. How to read people. How to schmooze a crowd.
Everything important.”
“So she’s
partly responsible for your success.”
“Partly.
I made it on my own but her lessons helped, yes. Of course it was dad who
taught me about business and how to manage my money and affairs. Drezhein have
a different view of such things. She taught me the glamor and he taught me the
infrastructure that supports it.”
“What
do you think about your father then?” He asked.
“Dad?”
She shrugged. “He was fine, a little awkward sometimes. He didn’t like kids,
you know, and didn’t really know what to do with us. He wanted us perfectly
behaved and presentable. If we could be that he was fine, otherwise he lost his
temper easily. But then sometimes he was really fun too. Definitely by the time
Kaite and Ro were born he had relaxed a lot and was able to handle us a lot
better. I got to see a different side of him because I had magic. He was so
excited about that, and so eager to teach me. He put up with a lot more
mistakes from me than from Charlie, for instance.”
“Ah,
Charlie. Somehow he keeps coming up.”
“He
would. He was mom’s darling, her absolute favorite. There were a lot of
problems there. He was the oldest. Mom really wanted him because she couldn’t
have her own children and dad really didn’t
want him because he didn’t like children. Mom spoiled him too much and dad was
way too hard on him and their relationship never improved. Charlie used to act
out a lot. He was perfect for mom but he could be bratty and insolent and
destructive when dad was in charge. And then mom would have to step in to
defend Charlie so it was always a point of contention. As for me, I liked him
fine. I got away with a lot of things by blaming them on him which didn’t help
matters I’m sure. But I was just a kid then so I didn’t know. I apologized to
him years ago, though. We’re fine now.” She said.
“What
were the other relationships like in the house?”
“Complicated.
Dad was like a mentor to me and a father to Gavin, and a completely doting daddy
to Kaite. Mom would do anything for any one of us. Charlie got along fine with
the younger kids but he was cool with me and was constantly bickering with Gavin. Those two really didn’t like each
other. Keir and Dumas and Kaite formed a trio of trouble-makers. If there was
trouble to be had, those three would be in it neck deep. Ro, of course, was the
baby. She was the sweet one and everyone doted on her. Especially Gavin though.”
“Why
him?”
“Because
Ro was so young when our parents died. Because Charlie and I left, Gavin was
pretty much in charge. But Ro was really the one who needed him so they got
pretty close. It was good for him I think. He could be horrible as a kid.
Bratty and condescending and stuck up and constantly causing trouble for the
other students at school, though he never got caught. He grew up a lot after
they died, and got a lot more serious. He was a good kid after that. He and I
do a lot of work together, though you know that.”
“How
often do you see the others?”
“Not
much. Keir and Dumas are always off doing some. Ro was always too busy with
that massive family of hers to leave even if she wanted to. And Charlie didn’t
really want to be contacted but from what I heard he had a lot going on.”
“But
you know how to contact them.” Everett said.
“Oh,
sure. I know where they all are. I can get that to you if you want. I’ll have
one of my girls get it to you later.”
“Thanks.
Here’s the question everyone has answered differently. Did they love one
another?” He asked. Cyan considered.
“On
some level, yes. Sometimes the way they looked at each other… well I’ve never
had that with anyone. But that’s what made it so easy for them to hate one
another too. They were both strong willed.”
“Ro and
Kaite said the same thing.”
“Well
it’s true. Dad wanted to be in charge, and mom was the Fifth Lord. She was used
to being in charge. To be honest though, mom won that fight most of the time.
Dad would get so tired of her drama that he would just give in to her a lot.
Because their actual fights were not the physical fights that everyone saw and
talks about. Those were more like foreplay honestly. I know that with the same
awkward disgust that every child has when she walks in on her parents. They got
along best when they were fighting, and when they were flirting of course. It
was when they weren’t talking that you had to be scared.”
“Do you
have anything else to add?”
“Don’t
think about them the way you would a human. Neither of them were human. By your
standards they were criminals, and not good folk. And maybe they weren’t good
folk but they were our folk. And their decisions were based on different ways
of thinking. Just keep that in mind.”
“I’ll
try.” Everett said. “I’ve never written about non-humans before but I want to
do my best with this. And not just
because your siblings keep threatening me.”
“Oh,
get out of here.” Cyan laughed. “I’ll have those addresses to you by noon tomorrow,
at the latest.”